only1genevieve ([info]only1genevieve) wrote,
@ 2007-08-07 14:44:00
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Current mood:content

Books and Comic Cons.
I forgot to add earlier that my book is now officially finished. This is the point where, beyond maybe some typo fixes if I see them, I'm done. Except maybe the make out scene because it's too cliche--wait, no, I can't do that because I promised myself I'm done! I have to put the damn thing down and step away and say, "you are finished." The final count was 95,000 words, give or take. And all of it story, no filler. So now I have to start sending it off to literary agents, while I work on my spec scripts.

The weird part? I actually miss my characters. As though they are real people who actually exist somewhere, and I got to be part of their life for a while and now I have to say good bye and move to another part of the country, always hearing about what happens to them from a distance. It makes me sad and tearful. Sam started out as so unlikeable, but by the end she was a real person doing her best with real problems. She even had her own sense of humor. Lane was a bit of a know it all who needed to come down a peg, but he was nice in a girly sort of way. I hated Tess (fictional one!) so much I tried to kill her off, but don't you know she forced herself back into the story!

Wanna know makes me cry even harder? I spent six months on this labor of love which I poured blood, sweat and tears into. If I'm lucky, it will net one third of what I'll be paid per 22 page script if I get a job as a writer on a TV show. And writing screenplays means writing dialogue, which is my favorite to write, next to action. Oh, and guess what else you write with screenplays? Um, action. So, basically, it would kick ass. So, actually, I probably won't be crying if I get a job as a writer on a TV show. But if I don't, then I will be.

* * * * *

When it rains, it pours.

Comic-Con pictures I forgot to include in the last post are included below the cut. I included the one with me and Joss Whedon. It's probably not the best picture I ever took, but, hey, it could've been worse. I mean, just look at all of my other pictures, right? Ha ha ha.





Here I am getting eaten by a bear.

Gena and Bear.

Here I am foiling a picture seller's attempt to sell me a picture by asking him to take my picture with Paul. Mwuah ha ha ha!.

Gena and Paul.

Here I am with Batgirl. The time and energy people put into costumes astounds me. I like me some costumes, but mine are more like, "What can I accomplish with $50 and little or no craft ability?" Crazy.

Gena and Batgirl.

Here I am with Joss Whedon. Looking at this picture, I realize I have the tendency to put my arm on the shoulder of whoever I'm taking pictures with. I don't know why. Is it because I have a subconscious desire to emphasize my height or is it just because I'm an awkward human being has no idea where a "safe" place to put arms is. (the latter)

Gena and Whedon.





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I'm not mad, not really
[info]nighthawk269
2007-08-08 04:42 am UTC (link)
As for pictures, you also tilt your head a lot, or at least from the limited pictures I have seen. But it's cute, so don't fret it.

It's interesting that you say that you miss your characters. I sort of know the feeling, especially having just finished a story myself, but the great thing is that they're always in my head. They pop in from time to time and I get different scenes that are from either different stories or their own stories that haven't been written yet. So I don't really miss them--they're like friends that I haven't seen for a few weeks or a few months, and then they appear, I remember how cool they are and I smile.

It's connected to something that I have been babbling about to a few people in the past week or two. Here it is: I don't really write my stories. I don't make them up, and I don't decide what happens. I basically transcribe and describe the scene. I don't decide what the characters do next or what they do. It's sort of like I am an editor for a movie--the scenes and dialogue is there, and I can alter it a little, but I can't add or change the outcome. For instance, the story I finished, two characters clearly like each other, and clearly they should get together, but they don't at the end of the story, because *that's not what happened.* Even though I *want* them to get together. (They don't do that until 2-4 years later.) Or for another character--I thought I would describe her as having a broken arm in one story, just as some sort of character dressing, but she started to describe where she broke her arm, and suddenly, I knew how she did it, and in the process, saved a guy and suddenly, I had a new story. I didn't plan it, her having a broken arm was supposed to be a throw away scene description, but she (and the story) had different plans.

I don't know if I am describing it well, but you're comment of "I tried to kill her off, but she avoided it" is on the same track as what I am trying to say. I couldn't even try to introduce what I might want to happen, because it wouldn't work. I don't control the story. Someone else does. It's very different from my work--when I write a motion or brief for work, I move things around, rearrange it, change the focus and dictate what happens. If I want to come to a certain conclusion, I do, and arrange the writing so I do. That doesn't happen with fiction for me.

Another good description of how stories and I come together can be found in Memory and Dream by Charles De Lint. In that story, an artist can call faeries from the otherside through her paintings. She paints something, and it comes alive. Stories, for me, come from somewhere else, and I merely serve as the conduit.

Congratulations on finishing the story. 6 months is actually pretty fast. If you want a proofreader, I would be happy to help out. In any event, good luck on it.

Fred

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