Now, normally I don't deign to review music. I like music. Nay, I heartily enjoy music. But I don't have that obsessive fanaticism that tends towards over-analyzation that some have. For example, I rarely derive enjoyment from improvisational or avant garde
crap music.
But once in a while, an album comes along that is just ... just ... such an
album of a
singer.
Ashley Tisdale's Headstrong is one such album. An album. Featuring a singer.
Admittedly, I know I am not Ms. Tisdale's target audience. I am over eighteen, I disliked "High School Musical," and I'm a rational human being. Still, though, I thought, "I'll give it a shot. I like new music!"
Then I listened to this album. And I realized: I am old. Because the first thought that ran through my head was: "These effing kids think this is
MUSIC?!"
There are no words that can effectively describe the utterly scarring yet delicious awful-ness of this album and how it panders to adolescent girls. But I'm going to try.
Vocals: Come on, she's a Disney contract-star, you know what to expect. Sugary sweet, not particularly talented nor offensive. Solidly "ehn." Disney picks them that way on purpose. They want them not to be "too talented" just like they want them not to be "too attractive." That way, average girl on the street looks at the contract-star and thinks, "Hey, that could be me!" And immediately forms a deep attraction to the person akin to the one formed between that most powerful girl groups, the Sorority Three.
(You know the Sorority Three, the classic group consists of the "would be darling if not for ten-fifteen extra pounds" girl, the "pretty except for one strange feature" girl, and "kind of cute but really just rich" girl. This trio of friends is seen repeated in girl-land all the time.)
Disney is very smart. If the contract-star was attractive AND talented, that would kill her popularity. Teen girls HATE any girl with the nerve to be prettier or more talented them, it's a proven fact. That's why the Sorority Three works so well. Each girl has reason to believe that SHE is the prettiest of the trio. Thus the girls remain friends without engaging in the jealousy that typically rips girl groups apart. Well played, Disney, well played.
Lyrics: Oh my god. No cliche' goes unexplored. No rhyming opportunity unexploited. No metaphor un-beaten to death. Some few choice examples:
"We'll be together so don't ever
Stop listening to your heart
Cause I can't turn mine off
Oh (yeah, yeah) oh"
("We'll Be Together")
(Get it? She can't stop listening to her heart because she can't turn it off--as though the heart is a radio one must listen to.)
"All the girls in the club got their eyes on me
They put me down because of their jealousy
But I'm not, not I'm not that girl
And it's not, not, no, it's not my world"
("Not Like That")
Song arrangement: Hilariously contradictory yet still somewhat apt. One song says, "Don't you dare/touch me there/if you want to get somewhere" ("Don't Touch, aka, the Zoom Song," no, I didn't make that up) another track a few songs down talks about being so hot for a boy that they're going to rock together all night, nudge nudge, wink wink! ("He Said, She Said")
Is there a message here? Why, yes. Teen girls are complicated. They are discovering their
sexuality. They want to
explore it the way they see older women on TV doing. BUT, the world tells them
good girls don't have sex as teens! and
be yourself! but also
you want boys to like you! and
boys will only like you if you have sex with them! so they're getting mixed messages all over the place and their brain has no way of processing it, thanks to hormones and periods.
So I guess the CD presents an accurate representation, I guess, of what the average teen girl goes through:
"I want to fool around with you 'cause it's fun! Oh wait, does that make me a bad person? I'm not a bad person. Get away you freak! Wait, why won't you hang out with me? You only hang out 'cause you want sex! AGH ALL THE OTHER GIRLS HATE ME 'CAUSE I'M SO CUTE AND POPULAR!"Oh, wait, that last was just Ashley Tisdale's personal input, which can be heard in at least three of the songs ("Not Like That" being one of them).
I'd like to say this album is a guilty-pleasure. None of the songs are really that offensive. They're just pure tripe. Actually, more like soylent green: a regurgitated and recycled product more manufactured than artistic and ultimately meant to poison young minds. Or am I getting my movies mixed up again? Anyhoo, guilty-pleasure? No. Sad commentary on the state of the female adolescent today? Yes.
Better Guilty Pleasure Album: Music and Lyrics. My favorite awful song being "Entering Bootytown". Which, if you have a dirty mind, takes on a whole new level of awfulness.